It means we can get the graphic up, over and round the side of the panels so you don’t get any nasty edges, it adds that premium feel.” We’ve developed a system that allows us to use it for wrap and staple graphics. It worked very nicely with the playful garden theme.”Īmong the key elements of the production was the use of LED panels to provide the desired balance of artificial and natural light, while the scenic backdrop support was constructed using the beMatrix aluminium framing system, which Edwards says his company uses very regularly for large format prints and backdrops: “It goes together really easily. We worked to accentuate the daylight and create a natural feel to the space. For this year’s show, subtlety was the watchword. “We almost have an instinctive feel for what they want. “We have pre-production meetings with Paul and his team to discuss the feel of the shows and, having worked with them for several years now, we have a good understanding of how they like their shows to be,” says Edwards. Its account manager Matt Edwards says the challenge with this year’s LFW show was delivering a subtle, pared back presentation with lighting and set designed to enhance natural light from the venue’s glass arched roof. The company was responsible for providing the staging, lighting, carpet, PA system and the backdrop installation.Ĭongo Blue has been working with Paul Costelloe’s team for the past five years. I love the size, and sense of space and air – the environment is kind to the clothing, it helps the clothing to be seen in the right atmosphere.”Īmong the key suppliers working to bring Costelloe’s ideas to life in the hall was D&B Solutions and its SFL and Congo Blue divisions. Speaking backstage at the venue following his LFW show, Costelloe said, “With the garden next door to here in Vincent Square, and the glass roof enabling the room to be flooded with natural light, this venue is very appropriate it’s an absolutely wonderful setting. Along the way it has also become a regular home to activities including TV show shoots, product launches, music video production work and concerts by the likes of the London Philharmonic Orchestra. Since it was opened by King Edward VII and Queen Alexandra, with Princess Victoria in attendance, back in 1904, the Lindley Hall has hosted a remarkable array of events and clients ranging from suffragette meetings to speeches by world leaders such as Barack Obama. With the seasoned and celebrated operator’s collection influenced by his childhood summers in Ireland and the romance of the film The Garden of the Finzi Continis – much of which is shot in and around a garden tennis court setting – Costelloe says he chose the Lindley Hall as it reflects the mood of the collection with its airy interior, natural daylight and large green space outside. Access went backstage to meet the team behind the show.įor Irish-American fashion designer Paul Costelloe, who was appointed as the personal designer to Diana the Princess of Wales in 1983, it was his 38th year of catwalk shows for LFW. London Fashion Week (LFW) opened on 15 September with a show by Paul Costelloe, whose work with production company Congo Blue and the team at The Royal Horticultural Halls’ Lindley Hall resulted in a stunning presentation of his Spring/Summer 2024 collection. Fashion Features Live Event Organiser Supplier
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